Videography by Steffi Boucher
A brand-new
Deaf-led
artistic collaboration
Dorsal Traces is our newest production, this time expanding on the concept of Deaf dorsality by venturing deeper into contemporary themes of queerness, masculinity, communication, and solidarity.
Is Deaf dorsality an answer to toxic masculinity? Is it a way to navigate disagreement and overcome purity politics? Can it be a form of mutual support and a stepping stone toward true solidarity?
Premiering in December 2026.
Check back here for tickets and other information!
Connor Yuzwenko-Martin - Performer & Co-Producer
“I crave to see Deaf men move and learn together. In an increasingly troubled society, how can we nurture each other’s strengths, and catch each other when we fall? Dorsal Traces is a deeply necessary portrayal of the vulnerability, learning, and solidarity that makes us good men, particularly in the Deaf community which can rarely access these types of spaces and dialogues.”
Connor Yuzwenko-Martin (he/they) is a Deaf performance artist, producer, and playwright based in amiskwacîwâskahikan, colonially known as Edmonton, Alberta. His work focuses on creating performance rooted in Deaf culture, sign languages, and inclusive practice.
Connor is the founder and artistic director of The Invisible Practice (TIP), a Deaf arts organization dedicated to developing Deaf-centric creativity through any genre and medium that Deaf artists choose to inhabit. His artistic practice challenges traditional performance structures and expands access in the arts toward meaningful inclusion. Recent credits include After Faust, CARBON MOVEMENTS, CAPABLE, Coloured Skin, and Dorsal Traces, all of which which reflect his commitment to blending theatre, dance, language, tactile embodiment, and innovative accessibility techniques.
Beyond his creative practice, Connor is widely recognized for his leadership in accessibility and intersectional justice. His north star is a vibrant arts ecology that embraces and uplifts Deaf creatives and audiences, and where Deaf-centric stories emerge to be shared across the land.
Cai Glover - Performer & Co-Producer
“What does it feel like to be in a creative and generative space while learning to build and to give trust? It feels confronting for what I am being asked to give and for what I am being asked to take. In this work and in this process I am learning not to immediately create and make an environment for myself but to imagine a place of cohabitation where safety and care allow for broad strokes of individuality.”
Cai Glover (he/him) is a Montreal-based dance artist, choreographer, and artistic director whose work foregrounds the poetics of movement, language, and embodied identity. He has been developing his creative practice for over 25 years, and for more than a decade worked as a performer, interpreter, and choreographer with Cas Public, contributing to multiple company creations before expanding his independent practice.
As the founder and artistic force behind A Fichu Turning, Glover explores how language and gesture might be transformed into an embodied movement vocabulary, using the dancing body to probe questions of meaning, perception, and social dynamics. His work investigates the politics of disability, Deaf culture, and sensory experience as sources of artistic poetics and identity.
A Deaf artist, hearing differently has shaped both his creative approach and aesthetic voice, giving rise to performances and research that unsettle conventional sensory hierarchies in dance. Over his career, he has worked with a wide range of collaborators and continues to present choreographic work that invites audiences into movement practices at the intersection of expression and inclusion.
Ainsley Hillyard - Dance Dramaturg
Ainsley Hillyard (she/her) is an Amiskwacîwâskahikan (Edmonton)-based artist of settler descent. She is a choreographer and performer who works in contemporary dance and theatre. Her work is immersed in the curiosities and connections between these two forms. Ainsley was a co-founder, and a co-artistic director/general manager for the Good Women Dance Collective from its inception in 2009 to 2023.
She has worked as a choreographer and performer for various theatre and dance companies in Amiskwacîwâskahikan and received numerous Sterling nominations and awards for her performances and choreographies. Ainsley also runs her own dog care business Bumblebear Doggy Care and serves on the board of the Edmonton Arts Council and the Common Ground Arts Society.
Jan McCarthy - Deaf Dramaturg
Jan McCarthy (he/him) is a Deaf Queer man residing in amiskwacîwâskahikan in the city currently known as Edmonton. He is a screenwriter, ASL coach/instructor, and actor. He has been involved with several productions, including 9 Parts of Desire (The Maggie Tree), Children of a Lesser God (Walterdale Playhouse) and After Faust (The Invisible Practice). He was a hairstylist and makeup artist and has always veered close to the stage but never quite found his niche. Now that Deaf arts in Canada is growing and becoming increasingly more sustainable, he is excited to support and nurture his creative peers along with the up and coming generations of Deaf artists.
At this time, Jan’s greatest creative curiosity asks how writing differs between the stage and the screen and how the lessons of one can inform the other through the shared mission of Deaf-centric storytelling.
We’re proud to partner with A Fichu Turning in this co-production. Together, we bring our creative disciplines into a space of movement, meaning-making, and introspection for audiences Deaf, hearing, and everywhere in between and beyond.
As part of our creative process, we host community movement workshops. Everyone is welcome to join.
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We’re grateful to partner with Good Women Dance Collective (GWDC) as the presenting organization for our premiere. GWDC has also provided many hours of free and subsidized space for the development of this piece.
“Good Women is a creation-based company committed to supporting a vibrant, sustainable and inclusive dance community in Edmonton.”
Please join us for the premiere of Dorsal Traces as part of a double bill at Convergence in December 2026!
Membership is FREE for Deaf artists and Indigenous Deaf kin!
If this doesn’t describe you, we still welcome your support! You can pay an annual membership fee of $25 to support our community programming and operating costs.
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… and more as we continue to grow! 🌱
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